I was born in the early ’90s.
I remember the first time I ever bought a plastic lens.
I used it on a camera, and it worked like a charm.
It didn’t bother me at all.
In fact, it didn’t even bother me.
I didn’t need a camera with a lens I could take on my wrist, so I just used it.
That’s the point.
I was happy with it.
I’d even gone so far as to say it was a great camera for my younger self.
I also didn’t like how the glass was made.
It was thick and expensive, and that was the only thing that could be said about it.
And it wasn’t even really worth the hassle.
Then one day, my brother, who I still love dearly, got a camera and was like, “I want to get a plastic glass.”
I’m not saying it’s the perfect lens, but it is.
It’s also much easier to clean and the plastic is less fragile.
So that’s how I found my own shot glass.
But there are a lot of people out there who aren’t ready to accept glass.
The problem is, they’re just trying to make money off of plastic.
And, frankly, they don’t understand the real value of glass.
I want to show you what I’m talking about.
I wanted to show the real glass you’ll find in a real camera, the glass that’s meant to be put on a real lens.
And so I took a few photos with my own lens, and I wanted them to look like this.
And the more I looked at them, the more clear it became.
This is what you see when you take a real glass.
This picture was taken with my Canon EF 50mm f/1.8L II USM lens.
You can see the glass has been carefully removed, but not completely.
I’ve also added a little detail to it to show just how much detail there is.
I think this is a great shot with a Nikon D90.
I shot it at 100mm.
I really wanted to get the lens on this.
This shot is at the f/2.8 lens.
This was taken at f/4, and this was at f-2.
I like to use a wide aperture to get this shot.
I found a very good lens at a good price, and you can see that it’s quite sharp.
I thought, if I can get this lens on my Canon, why can’t I get a camera that can take it?
I wanted a camera I could use and that I could shoot and edit.
So I took the lens out of the camera, cleaned it, and put it in a glass holder, and then I put it into a plastic case.
And here’s what I found when I did that: The plastic is thick.
You know, the thickest thing I’ve ever used.
I can actually say it’s pretty thick.
This isn’t glass, but I thought it was good enough.
But what about the plastic lens?
And what’s going to hold it in place?
The plastic lens is supposed to be attached to the camera lens with a plastic ring.
But when I looked into it, I found out that that doesn’t really work.
So it’s not really a glass lens.
What I want is a glass that will hold the lens in place.
And that’s what the Canon EF 100mm f-1.4L USM is.
This lens is designed to be inserted into a camera lens.
It does that.
This thing has to be held in place, so the glass is just thick enough.
I don’t know if it’ll hold up to a normal use.
But I do know that it holds up to very light.
You just have to be careful.
This looks like this with a Sony D700.
You have to take care of it because it’s so light.
The glass is thicker, but the weight of the lens is lighter.
It doesn’t weigh as much as a normal lens, so you can hold it securely.
I’m still using it.
It just doesn’t fit into the camera anymore.
I just don’t want to lose it.
So now, I’m going to use this lens with my Nikon D700, and let you see what a real-world use looks like.
The first thing I’m using this lens for is shooting video.
I usually shoot with a Canon EOS 70D with a 60mm f2.5L II, but for the past couple of months, I’ve been shooting with a Pentax K-5 II.
This camera can hold a 70mm f1.2 lens in it, but this lens is different.
It holds a 70 mm f1,2 lens.
Now, what do you do with a 70° lens like this?
It’ll be pretty tricky to use it for shooting videos.
It’ll need a bit of adjustment. It can’t